SHOW
HISTORY/
CURRICULUM
VITAE (continued)
SHOW HISTORY (continued)
58) Oct '11: Ch 13 CCTV, Arts & Ideas with Sue
Swinand.
59) Oct '11. The Last Bacchanal: Art & Wine at
the Burrisworks Studio.
60) Oct '11: ArtsWorcester's Fire & Ice.
61) Oct '11: Donation to benefit the Boys & Girls
Club of Worcester.
62) Oct '11: Cirque du Noir, Worcester Mass.
63) Feb '12: Fire & Night. Solo show, Davis
Gallery, Worcester Mass.
UPCOMING:
Fruitlands Museum of American Artists,
Visceral Murmurs: the works of Scott Erb,
Cynthia Whoehrle and Brian Burris, opening Aug 2012.
BACKGROUND
- Self taught painter, acrylics. Painting since the
age of 16 (30 years). Over fifty shows since
2002, seven solo shows in seven years, eighty-
plus works sold.
- Writer.
- Liberal Arts Degree with concentrations in film
and literature.
- Fire Lieutenant. EMT. Former Corrections
Officer; prior service: US Army Reserves;
Behavioral Modification Specialist, hybrid circuit
designer, beatnik
WRITTEN:
- Codex: Fragments & Schemata, text and images,
paintings and graphics in montage. 60 pages.
2008
- Broken Catalogue, text and images, 20 pages.
2010
- Lovesong for Canvas, 98 pages, fiction, text
only. 2010
- Locus, free verse, text only. 108 pages. 2011
- Lovenotes from Vacuum, text, 36 pages,
fiction. 2011.
- Beautiful but Still Falling, text & images, 60
pages, 2012.
- Fire & Night, text & images, 28 pages, 23
images. 2012.
- Visions of Darkness and Light, 66 pages, 31
images. Upcoming release Aug 2012 with
Visceral Murmurs.
SHORT FILM:
- Selling the Soul. 7 min 8 sec, 8mm/digital re-
edit + digital audio. Direction,
cinematography, editing, spoken word and
sound remix.
- Approaching the Soul. Slides and lecture from
Pecha Kucha #3, Worcester Art Museum.
- Paintings from Exile: ten years of paintings: 2001
to 2011. 15 minute long play installation version.
- A Decade in Exile: same as above, 3:31
attention span version.



Art will remain the most astonishing activity
of mankind born out of struggle between
wisdom and madness, between dream and
reality in our mind.
- Magdalena Abakanowicz