| Archives I |
| the shearing sense of self II 52X52 acrylic (sold, private collection) |
| Codex 30X40 acrylic (sold, private collection) |
| fire painting 54X54 acrylic (sold, private collection) |
| Zoe, of light and water 30X40, (sold, private collection) |
| days of grace and forgetting* 20X26 acrylic |
| division painting |
| drawing closed the gentle remains* 36X36 acrylic |
| memory of light* 30X40, (sold, private collection) |
| no pleasures remain 24X30 acrylic |
| nude in blue 36X48 acrylic, (sold, private collection) |
| the angel as a function of light and space and time I |
| the angel as a function of light and space and time II* |
| winter painting 36X48 acrylic |
| golgotha remnant 36X48 acrylic |
| six feet till tomorrow 11X14 (sold, private collection) |
| dusk 11X14 acrylic (sold, private collection) |
| the road to eamon 24X30 acrylic |
*denotes collaborative piece with artist Daniel Ceglinski
| vessel 30X40 acrylic |
| flight to Arras 30X40 acrylic |
There is an invisible connection within any image that is its soul. ...then why not go on to say "images are souls". We can
meet the soul in the image and understand it... We watch its behavior-how the image behaves within itself.
paraphrasing Hillman, from Inquiry into Image
meet the soul in the image and understand it... We watch its behavior-how the image behaves within itself.
paraphrasing Hillman, from Inquiry into Image